This article aims to focus on two main aspects of Rome urban space vision and representation through Ettore Scola’s filmography: on the one hand, we try to decode the interconnections between languages and cinematic architectural space and, on the other hand, we intend to disclose how Scola meant to create a connection between his personal cinematic narrative and the tangled urban space in the city of Rome.
Our investigation is mainly focused on the so called “urban village” Palazzo Federici, a town within the city, which is the A Special Day and The Story of a Poor Young Man’s main location.
Palazzo Federici is an architectural complex of 400 dwellings designed by architect Mario De Renzi and built between 1931 and 1937; it is an ideal place to describe a hive shape building, with a squared structure inspired to a small fortified town, with a central courtyard and an empty fountain, that can represent the different faces of the suffocating fascist regime. The interrelation between the social and the architectural structures and between the mental and urban space anatomies are evident in these two films.
Palazzo Federici is a protagonist in the story narrated during the visit of Hitler in Rome, the 6th May 1938, the Special Day when Antonietta (Sophia Loren) and Gabriele (Marcello Mastroianni) meet, and it leads the characters as a dark set for the Story of a Poor Young Man where it describes the drama of human solitude and desperation in a labyrinthine urban environment in Rome.
Copyright (c) 2019 Marco Gargiulo, Antonio Catolfi
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).